I have long been fascinated with faces and the masks we use. I have produced clay masks but I have found that the idea of making pieces that are not only decorative, but can also be worn appeals to me more. Venetian masks have been a great source of inspiration. I have also drawn from the rich range of mask traditions that exist around the world, both real and imaginary.

The masks I create involve a series of steps. First papier mache is laid over a positive form sealed in beeswax. After drying, it is removed and trimmed. I prefer this method to the traditional Venetian method of using a mould as it allows for a greater variation on the resulting bases. I allow the character of the base to inspire me as I create each mask's unique design.

I have a deep concern for the environment and one of the aspects of this process that appeals to me is that it involves the recycling of many things into new and beautiful forms. Different types of items are used to make up each design. Metal, paper, leather, artificial flowers, leaves, and lace are mostly what I work with. I have also been exploring the use of birch bark and shells.

I have no interest in making the same design over and over again so I prefer to salvage bits and pieces from many sources. It means that the numbers of each design are finite but allows me to stretch my creativity and keeps the process exciting. I then decide if a mask is better suited to being gold, silver or copper, and lay down the metal leaf. There is something almost magical about the addition of leaf. Suddenly, the mask takes on the look of beaten metal. No paint can come close to the effect. I do use painting to bring out the details of the design and, in the case of my floral/leaf masks, to create part of the design. The masks are then sealed with a lacquer that both protects and enhances the finish.

Finally comes the best part, (for me at least) the finishing touches. In some cases it is simply deciding what type of ribbon to use as a tie, in others it is the attachment of feathers and gem-like accents. I try to use only feathers from farmed birds and the accents are another area where salvage, often from old jewelery, is part of the fun.

I love the idea that these masks can be hung on a wall like art or worn. With something as simple as basic black, the mask transforms the wearer into someone exotic and mysterious.